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Tag: cultural history of time

Credulity in the Age of Reason / La crédulité à l’Âge de la Raison

I am delighted to announce the publication of Credulity in the Age of Reason / La crédulité à l’Âge de la Raison : Rhetoric, Epistemologies, Education / Rhétorique, épistémologies, éducation

Sous la direction de Giulia Iannuzzi, Claudia Lora Márquez, Sylvie Moret Petrini et Brianna E. Robertson-Kirkland

402 pp.

EAN 9782745361738. 58 €

Credulity in the Age of Reason interrogates the tension between credulity and reason throughout the 18th century as ultimately a problem of power and knowledge. The authors consider texts intended for the instruction of young people as well as the education of the wider public to explore the negotiation of what constituted authority in the construction of philosophical, political, economic, and trans-cultural knowledge.

Stemming from the International Society for Eighteenth-Century Studies Early Career Researchers seminar hosted by the University of Michigan in June 2021, Credulity in the Age of Reason shows how the problem of credulity, and the closely related issues of authority and credibility, permeated European society and culture in the Age of Enlightenment.

La crédulité à l’Âge de la Raison questionne les tensions entre crédulité et raison au XVIIIe siècle et réfléchit aux enjeux de pouvoir et de connaissance qu’elles sous-tendent. Les auteurs analysent des textes destinés à l’instruction des jeunes personnes ainsi qu’à l’éducation du grand public afin d’explorer la négociation de ce qui constituait l’autorité dans la construction des savoirs philosophique, politique, économique et transculturel.

Issu du Séminaire pour les Jeunes Chercheurs et Chercheuses organisé par la Société Internationale d’Étude du XVIIIesiècle à l’Université du Michigan en juin 2021, La crédulité à l’Âge de la Raison montre comment le problème de la crédulité, et les questions étroitement liées de l’autorité et de la crédibilité s’inscrivaient dans la société et la culture européennes à l’époque des Lumières.

L’ouvrage rassemble les contributions de Matilda Amundsen Bergström, Mrinmoyee Bhattacharya, Ciaran Harty, Giulia Iannuzzi, Noelia López-Souto, Claudia Lora Márquez, Sylvie Moret Petrini, Chanelle Reinhardt, Brianna E. Robertson-Kirkland, Shun Sugino, Thiago Vargas et Devin Vartija.

On Champion’s website: LINK

Flyer:

EIDH_20Download

ToC:

Credulity ToCDownload

English intro:

Credulity_Intro-ENGDownload

French intro:

Credulity_Intro_FRDownload

Futuristic Fiction, Utopia, and Satire in the Age of the Enlightenment

Samuel Madden’s ‘Memoirs of the Twentieth Century’ (1733) – Brepols

Memoirs of the Twentieth Century (1733) is a fascinating piece of early eighteenth-century literature and an important chapter in the history of futuristic imagination and of an increasing global interconnectedness. Featuring an essay that contextualises the novel and an annotated edition of the text, this study explores issues central to the Enlightenment project: the negotiation of what falls within the limits of credibility, the existence of irrational beliefs in The Age of Reason, and issues of control over the circulation of knowledge.

Here’s the book on Brepols’ website: https://www.brepols.net/products/IS-9782503606026-1

Pages: 460 p.
Size: 156 x 234 mm
Illustrations:10 b/w
Language: English
Publication Year: 2024

ISBN: 978-2-503-60602-6; E-book ISBN: 978-2-503-60603-3

SUMMARY

Published anonymously in 1733, Memoirs of the Twentieth Century is one of the earliest futuristic novels known in Anglophone and Euro-American literature. It foregrounds an acceleration of history brought about by an increasing degree of global interconnectedness, and the exclusion of prophetism and astrology as credible ways to know the future. The work of Samuel Madden, an Irish writer and philanthropist of Whig sympathies, it consists of a collection of diplomatic letters composed in the 1990s, which the narrator claims were brought to him from the time to come by a supernatural entity. Through these correspondences, twentieth-century world scenarios are spread out before the reader, in which British naval power rules the waves and international commerce, while the transnational scheming of the Jesuits threatens the independence of weaker European courts.

This book — which includes a study followed by an annotated edition of the text — assesses the cultural significance of this literary work, as an apt observatory on how historical time as a cultural construction was shaped, during the eighteenth century, by new forms of transnational circulation of information, and by the dubious space carved out in European culture by seventeenth- and early eighteenth-century debates on the nature of historical knowledge.

Through and by means of the Memoirs case study, this volume aims to contribute to a wider cultural history of the future and speculative fiction. The novel’s ironic distancing of beliefs considered to be superstitious and absurd — such as divination techniques and occult and magical disciplines — offers an exceptional testimony to the negotiation of the boundaries of verisimilitude and credibility within a religious enlightenment.

TABLE OF CONTENTS

Introduction: Knowledge, Power, and Time in the Age of the Enlightenment

Part I. Samuel Madden’s Eighteenth-Century Memoirs from the Future

I. Where was the Future?

II. When was the Future?

III. An Irish Whig between Philanthropism and Literature

IV. An Eighteenth-Century Twentieth Century

V. An (Unreliable) Historian of the Future

VI. A ‘good genius’ and the ‘scene of things below’

VII. Empirical Science, Global Consciousness, and ‘the History of Future Times’

VIII. Blurring the Dichotomy between History and Fiction

IX. Satirising Past Futures

X. ‘Publishing’ the Letters

XI. ‘This prodigious society’: Anti-Jesuit Satire

XII. Whose Credulity, whose Credibility

XIII. Bookish Mysteries and an ‘alternate George VI’

XIV. Concluding Remarks

Part II. Memoirs of the Twentieth Century

A Note on the Text

Samuel Madden, Memoirs of the Twentieth Century

Notes to the Text

Bibliography

Index

The Seductions of Superstitions

The Case of Duncan Campbell in Seventeenth- and Eighteenth-Century England

W. Bond, The Supernatural Philosopher: Or, the Mysteries of Magick, in All Its Branches, Clearly Unfolded [...] All Exemplified in the History of the Life and surprizing Adventures of Mr. Duncan Campbell, a Scots Gentleman; who, though Deaf and Dumb, Writes down Any Stranger’s Name at first Sight, with their Future Contingencies of Fortune [...], London, Printed for E. Curll [...], 1728., chapter The Method of Teaching Deaf and Dumb Persons to Write, Read, and Understand a Language, text ref. al "an alphabet upon the fingers", plate following p. 38
W. Bond, The Supernatural Philosopher: Or, the Mysteries of Magick, in All Its Branches, Clearly Unfolded […] All Exemplified in the History of the Life and surprizing Adventures of Mr. Duncan Campbell, a Scots Gentleman; who, though Deaf and Dumb, Writes down Any Stranger’s Name at first Sight, with their Future Contingencies of Fortune […], London, Printed for E. Curll […], 1728., chapter The Method of Teaching Deaf and Dumb Persons to Write, Read, and Understand a Language, text ref. “an alphabet upon the fingers”, plate following p. 38

Here’s to advertise a new article, just published on Studi Storici, investigating the future as an epistemological arena in a hitherto understudied work from the early eighteenth century, The Supernatural Philosopher. First printed for Edmund Curll in 1720 under an alternative title, then expanded in 1728, the text focuses on Duncan Campbell (c. 1680-1730), a deaf and mute soothsayer who was a popular attraction in London during the 1720s.

The proclaimed ability to see the future makes Campbell’s case a vantage point to observe the negotiation of credibility and credulity in the Age of Reason. This article thematizes the connection between Campbell’s preternatural faculties, his claimed Scottish and Sami origins, and the relationship established by The Supernatural Philosopher with a number of literary sources and with a female public.

Giulia Iannuzzi, Le seduzioni della superstizione. Il caso di Duncan Campbell in Inghilterra tra Sei e Settecento / The Seductions of Superstitions. The Case of Duncan Campbell in Seventeenth- and Eighteenth-Century England, Studi storici, 3/2023, pp. 651-689, doi: 10.7375/108367; url: https://www.rivisteweb.it/doi/10.7375/108367.

Find the article on the journal website, or contact me for a copy for research purposes at giannuzzi <at> units.it

Find on this blog a post on this case study including digital visualisations: Giulia Iannuzzi, “Credulity, Curiosity, and Credibility,” in Geographies of Time, 05/10/2023, https://ian.hypotheses.org/2183.

Indovino in grado di prevedere il futuro, affetto da sordità e mutismo ma brillante ospite nei salotti mondani, venditore di talismani e medicine mi- racolose, Duncan Campbell (1680-1730 ca.) è stato un’attrazione popolare nella Londra del primo Settecento. Posta al centro di varie narrazioni, la sua figura ha assunto una particolare qualità letteraria. Questo saggio si propone di mostrare come la fama costruita su una proclamata «seconda vista» che lo metteva in grado di scorgere il futuro faccia del suo caso un ottimo osservatorio sulla negoziazione di ciò che, nell’età della Ragione, costituiva autorevolezza e credibilità, credulità e superstizione. Sullo sfondo di un uso del futuro come agone conoscitivo, il caso di Campbell esemplifica l’esistenza di rapporti di forza tra spazi centrali e periferici rispetto a potenze europee in espansione come quelle britannica e svedese. La tematizzazione di aspetti di genere, e l’indagine empirica del preternaturale connessa alle abilità eccezionali di Campbell e alla sua disabilità ne collocano il caso all’intersezione di una moltitudine di problemi epistemologici interessati, tra fine Sei e primo Settecento, da mutamenti profondi.

The History of the Life and Adventures, plate before ToC. "An Evil Genius. 2 Good Genij" . uncredited source is John Beaumont's Treatise of Spirits). The plate is missing in some copies. Copy at Oxford University
[W. Bond], The History of the Life and Adventures of Mr. Duncan Campbell, A Gentleman, Who, tho’ Deaf and Dumb, Writes down Any Stranger’s Name at First Sight, with their Future Contingencies of Fortune, etc. With Plates, Including a Portrait, London, Printed for E. Curll […], 1720, plate before ToC. “An Evil Genius. 2 Good Genij” . uncredited source is John Beaumont’s Treatise of Spirits). The plate is missing in some copies. Copy at Oxford University

Between Documentation and Dispossession

the Language of the Nuu-chah-nulth People in the Journals of James Cook’s Third Voyage – History Workshop Journal

‘Various Articles, at Nootka Sound’. Engraving by James Record after Webber, in A voyage to the Pacific Ocean undertaken, by the command of His Majesty, for making discoveries in the northern hemisphere performed under the direction of Captains Cook, Clerke, and Gore, in His Majesty’s ships the Resolution and Discovery; in the years 1776, 1777, 1778, 1779, and 1780 […] The second edition, London, Printed by H. Hughs for G. Nicol […] and T. Cadell […], 1785, 3 vols, II, plate after p. 306. Copy at Wellcome Collection, under Creative Commons Attribution 4.0 International license. A bird rattle, a wooden model of bird with stone inside (numbered 1) and three masks or head decoys (numbered 2, 3, 4), one of them (2) a seal’s face, possibly used when hunting.
‘Various Articles, at Nootka Sound’. Engraving by James Record after Webber, in A voyage to the Pacific Ocean undertaken, by the command of His Majesty, for making discoveries in the northern hemisphere performed under the direction of Captains Cook, Clerke, and Gore, in His Majesty’s ships the Resolution and Discovery; in the years 1776, 1777, 1778, 1779, and 1780 […] The second edition, London, Printed by H. Hughs for G. Nicol […] and T. Cadell […], 1785, 3 vols, II, plate after p. 306. Copy at Wellcome Collection, under Creative Commons Attribution 4.0 International license. A bird rattle, a wooden model of bird with stone inside (numbered 1) and three masks or head decoys (numbered 2, 3, 4), one of them (2) a seal’s face, possibly used when hunting.

Through a case study of James Cook’s third voyage and his contact with the Nuu-chah-nulth people of Vancouver Island in 1778, this article just published on the History Workshop Journal sheds new light on the epistemological dispossession of indigenous peoples that accompanied European expansion in the eighteenth century. Continue reading “Between Documentation and Dispossession”

Ruins of past futures

Fantastic archaeologies and disruptive imaginations

@ SFRA 2023: Disruptive Imaginations – Joint Annual Conference of SFRA and GfF – TU Dresden, Germany, August 15-19, 2023

Ruins of an eighteenth-century retrofuturistic city, AI generated image

Ruins of an eighteenth-century retrofuturistic city, AI generated image, under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license

This paper examines the ruin as a device of cognitive estrangement used in speculative fiction to thematise and problematise given conceptualisations of historical time and temporal linearity. Since the modern age, the ruin as a fragment of the past has engender new imaginary colonisations of a secularised future. Drawing on the hypothesis that the fantastic ruin and archaeological methods applied to past futures matured in the European imagination during the modern age, this research connects twentieth-century archaeological and clipeological science fiction to the long-standing history of the ruin within a fantastic imagination.

Materialising heliotropic conceptions of civilisation, especially since the 18th century the ruin has aroused the interest of writers, historians and painters in connection to notions such as those of development and decadence, modernity and crisis applied to human societies as well as to imaginary alien civilisations. The idea of a history magistra vitae and of a cyclical course of civilisations became premises for the application to the future of history as a method and for the aesthetic appreciation and poetics of ruin, discussed by Denis Diderot and Edmund Burke, and epitomised in the ruined Louvre painted by Hubert Robert and in Joseph Michael Gandy’s pictorial work portraying the Bank of England in ruins. The temporal estrangement of the ruin took on futuristic connotations inspiring some of the earliest speculations about the time to come. The contemplation of the remains of the past synecdochically fostered the idea of a future observer contemplating the ruins of the present in writers such as Thomas Lyttelton and Volney. Towards the end of the 18th and throughout the 19th century, the idea of radical changes foreseen in the future increasingly incorporated the possibility of disasters, catastrophes and extinctions (e.g., the Earth in ruin and the last men imagined by Bodin, Grainville, Shelley).

This paper outlines the connection between these precedents and twentieth-century pseudo-archaeology that hypothesised the existence of hyper-evolved terrestrial or alien civilisations located in a distant past.

https://disruptiveimaginations.com/PROGRAM

Ruin Lust, American Futures

@ Antiquity and the Shaping of the Future in the Age of Enlightenment. / L’Antiquité et la construction de l’avenir à l’âge des Lumières, ISECS 2023 congress, 3-7 July 2023, Rome

Gustave Doré’s version of Macaulay’s New Zealander, visiting London in the far future, surveying the ruins of the city from the remains of London Bridge
Doré’s London: A Pilgrimage (London; Grant & Co, 1872), Bibliothèque nationale de France via Gallica, ark:/12148/bpt6k10470488

In 1780, a poetry collection printed in London claimed to contain the letter of an American traveller from the year 2199, who wrote from the ruins of St. Paul’s porch to a friend in Boston, metropolis of the Western Empire. Poems, By a Young Nobleman, of Distinguished Abilities, lately deceased included poetic compositions about the once prosperous city of London. The ruins of an England whose greatness once illuminated Europe were observed from the west, where the sun of British power went to set.

The title page attributed authorship to a young man who had died at the time of publication. Thomas Lyttelton, libertine and politician, who has been later credited with authorship of the work, had in fact died at the age of only thirty-four in 1779, an untimely death lamented in the panegyric of the editor. This paper draws on the case study of Poems to highlight how, in the eighteenth century, the futuristic projection of a distant state of affairs derived from the present was informed by a look back to the past.

Poems exemplifies how American space and time provided a backdrop for revitalisations of translatio imperii topoi. Ancient history was exploited a reservoir of useful models to conceptualise and understand cultural diversity, to articulate an imperial discourse in its entanglements with ideas of monarchical power, colonial expansion, civilisation, and, not least, to anticipate what was yet to come.

Conference programme: https://www.isecs-roma2023.net/en/contents/programme/118